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"Cats!",
1.25"x2" My first piece of enameling, a cat face broach,
that sold almost instantly, to a cat lover, of course.
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Fleur-de-Lys,"
2"x2" A brooch that won an award in a contest run by the
American Pearl Company. Once in a while a piece flows along with no
technical problems: this brooch was one of these. Someone saw a photo
of it in "Lapidary Journal, called me, and purchased it.
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Triangle
Medley III," 3.5"x1.5" The design of this brooch is
based on the
Honduran seam opal set towards the top of the piece. The enameling
was a real challenge as I tried to mock the opalescence of the stone.
When I took it out of the kiln on the final firing, I said "Yes!
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Wings Learning
How to Crawl IV," 9"x6.5"
I did a long series of these "Wings" pieces shortly after
I began enameling,
almost all of them neckpieces.
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The Way
Through I," 3"x6"x6.5" This bowl is handformed
from 14 gauge copper. For those of you not in the know about metal
working, this is one
thick piece of copper to hammer into a bowl form. I love beating my
metal.
This bowl was accepted into a lot of juried shows.
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"Reflection
Series: Turning Inward," 1.5"x2". Another rather long
series,
but in this series all of the pieces are brooches. I thought this
particular
work was one of the more successful, and it was also the first piece
in which
I succeeded making the opal enamel opal. |
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"Looks
Like a Fish III," 2"x2.5". I always liked this brooch
as it seems so cheerful. The piece sold at a show in Australia. The
man who purchased it
came to an open studio, recognized my work, and told me he had purchased
it as a gift for his mother who lived in Seattle.
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"Wings
Learning How to Crawl XII," 12"x8". Another neckpiece
in my "Wings" series. |
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"Tsunami,"
3.5"x3"x3". A pierced plique-a-jour vessel. |
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"Woman
Loses It," 5"x7". What can I say? It was a hard period
of my life.
All three of my adult children were having problems of one kind and
another. When the third one called to tell me she ahd gotten a positive
pap smear, I literally fell to the floor.
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"Nautilus
I," 5"x6"x1". A neckpiece which seemed to have
a universal
appeal, an unusual circumstance for my work. |
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"Landscape
Series: Lake & Sky," 11.5"x10.5" (unframed). A
piece of
plique-a-jour with tapestry weaving. I love doing these pieces, but
each one
takes about 2 months to complete. |
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"Landscape
Series: Clouds at Sunset," 10"x7.5". Another tapestry
with
plique-a-jour.
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"Going
to the Zoo," 7"x6.5"x5". This neckpiece includes
several enameled
beads along with a lot of black onyx beads. |
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"Homage
to the Angels," 4"x5.5"x5". An early neckpiece,
named because
someone said that it looked like the Hell's Angels logo.
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"O
Those Pigeons," 10"x6.5". My first neckpiece.
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"Ode
to the Lepidoptera III," 3"x1.5". Another piece made
for the American Pearl Company contest, this one was broken in transit
and was not juried for the show. The upper wing is plique-a-jour.
The brooch is designed to be worn high on the shoulder so that light
can pass through this wing.
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"Shadow
Love," 5"x9"x8". My largest plique-a-jour vessel.
I dropped this
piece twice taking it out of the kiln, each time when it was essentially
finished. |
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